tag:blogger.com,1999:blog-33168799556991719092024-03-21T16:58:28.977+08:00Main-Belt Minor PlanetPainter Jojo Soria de Veyra's studio blogsJojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.comBlogger37125tag:blogger.com,1999:blog-3316879955699171909.post-39208940627435661202019-03-11T07:25:00.011+08:002021-04-11T11:04:40.367+08:00My 2019 solo show<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimNgEnzHJREQMYcQOhsVdZvc0i_pCVdtH_bFHu6zxwq5HZxBHTyMCqYwV08xIs2M-QPwaEwdQsTedDB0-RBlYlSvcDGTWFumt1URo5Oo5wXesNlKqTbL2AQUaa7P-fLDNlDT-OC_Lv2Nc/s1600/53560007_1195158177326285_2958406819610886144_o.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1440" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimNgEnzHJREQMYcQOhsVdZvc0i_pCVdtH_bFHu6zxwq5HZxBHTyMCqYwV08xIs2M-QPwaEwdQsTedDB0-RBlYlSvcDGTWFumt1URo5Oo5wXesNlKqTbL2AQUaa7P-fLDNlDT-OC_Lv2Nc/s640/53560007_1195158177326285_2958406819610886144_o.jpg" width="640" /></a></div>
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<br /><div style="text-align: left;"><span style="font-size: large;">MY 2019 solo show at Altro Mondo Arte Contemporanea Gallery at The Picasso Boutique Serviced Residences, Salcedo Village, Makati. For details, see the page on the show at <a href="http://altromondo.ph/exhibitions/the-new-middle-class-and-the-remaking-of-our-soho-our-spray-painted-little-section-of-the-city-and-other-fictions/" target="_blank">altromondo.ph</a>. Or read <a href="https://diskursoartmagazine.wixsite.com/diskurso/marcelantoniointerviewsjojosoriadev" target="_blank">Marcel Antonio's interview of me on diskurso art magazine</a>.</span></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0Salcedo Village, 119 L.P. Leviste Street, Makati, 1227 Metro Manila, Philippines14.5600378 121.024031814.559518585508929 121.02349535819702 14.560557014491071 121.02456824180298tag:blogger.com,1999:blog-3316879955699171909.post-64218664922472020822018-04-12T23:59:00.012+08:002020-10-27T16:24:47.094+08:00The Bitch (or, Allegory of a Slur + A Black Man), 2012-18<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipuRMVNnhgV-ebQAXeKU8FM4DG-CO_8uUNHsKfRwKB1YIiXNuHzJTqup0p6PF3nUXjl10DSRbXaEt4BLovzjq9Y1i_o4uBN2hjMHQpAMOtHAS00fqS0_pn1Pn2FAxCq-jYtS19Bw1AbRI/s1600/IMG20180111105726.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipuRMVNnhgV-ebQAXeKU8FM4DG-CO_8uUNHsKfRwKB1YIiXNuHzJTqup0p6PF3nUXjl10DSRbXaEt4BLovzjq9Y1i_o4uBN2hjMHQpAMOtHAS00fqS0_pn1Pn2FAxCq-jYtS19Bw1AbRI/s640/IMG20180111105726.jpg" width="478" /> </a></div>
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Jojo Soria de Veyra, <i>The Bitch (or, Allegory of a Slur + A Black Man)</i>, 2012-18, acrylic on canvas, laterally 48" x 31 1/2"</div>
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<span style="font-size: large;">One of my five paintings shown at the <i>Allegoria 1 </i>show,
March 15 to April 12, 2018, at Altro Mondo Arte Contemporanea Gallery (now at </span><span style="font-size: large;">1159 Chino Roces Avenue, Barangay San Antonio, </span><span style="font-size: large;">Makati City 1203). Part of the series or
separated triptych titled <i>A Gingerbread Man's/Woman's World</i>.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: large;"> To inquire about the painting, text (+63) 916-755-0658 or visit <a href="https://jojosoriadeveyra.wixsite.com/frommystudio/the-bitch-or-allegory-of-a-slur" target="_blank">my virtual painting studio</a>.</span></div>
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<span style="font-size: large;"> Also read the notes on this and the other panels in the triptych on page 40 of <a href="https://issuu.com/diskursodotcom/docs/allegoria_1_catalog_2018/40" target="_blank">the <i>Allegoria</i> show's online catalog</a>.</span></div>
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Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-46656260949609499482018-04-12T23:51:00.005+08:002020-10-27T16:25:32.856+08:00Leda/Leather and the Swan, 2012-18<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6h4F6UVQNWyMX-i9WwozmrFvstI7iu5Q2MN80c6MrzOT3z2ATJBOqGGJAYlcwpTZfpqhBQoalz4LzHIU6ZDb0QHu_DZLPtnaUlhJ-iSrEepQfgM4P5n22Gih6n5UhmUcd7CUhyphenhyphenZKjJFo/s1600/IMG20180325142933.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6h4F6UVQNWyMX-i9WwozmrFvstI7iu5Q2MN80c6MrzOT3z2ATJBOqGGJAYlcwpTZfpqhBQoalz4LzHIU6ZDb0QHu_DZLPtnaUlhJ-iSrEepQfgM4P5n22Gih6n5UhmUcd7CUhyphenhyphenZKjJFo/s640/IMG20180325142933.jpg" width="480" /></a></div>
<div style="text-align: center;">Jojo Soria de Veyra, <i>Leda/Leather and the Swan (or, BDSM Religions)</i>, 2012-18, acrylic on canvas, laterally 48" x 31 1/2"</div>
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<span style="font-size: large;">One of my five paintings shown at the <i>Allegoria 1 </i>show, March 15 to April 12, 2018, at Altro Mondo Arte Contemporanea </span><span style="font-size: large;"></span><span style="font-size: large;">(now at </span><span style="font-size: large;">1159 Chino Roces Avenue, Barangay San Antonio, </span><span style="font-size: large;">Makati City 1203). Part of the series or separated triptych titled <i>A Gingerbread Man's/Woman's World.<br /> </i>To inquire about the painting, text (+63) 916-755-0658 or visit <a href="https://jojosoriadeveyra.wixsite.com/frommystudio/leda-leather-and-the-swan-or-bdsm-r" target="_blank">my virtual painting studio</a>.</span></div>
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<span style="font-size: large;"> Or read the notes on this and </span><span style="font-size: large;"><span style="font-size: large;">the other panels in the triptych from page 40 of </span><a href="https://issuu.com/diskursodotcom/docs/allegoria_1_catalog_2018/40" target="_blank">the <i>Allegoria</i> show's online catalog</a>. </span></div>
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Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-7098520840984423632018-04-12T23:44:00.006+08:002020-10-27T16:25:49.620+08:00The Fetishist (or, Allegory of Our Collective Sadness/Badness), 2012-18<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinhfx4DZlecA59l2SZ6diDLMn-yIohQCssQnCLeG-1FNnnFAyrNtpw6xdDhyphenhyphen-UY_J-09ZDFSF46ipTBUl9FuwuY8h2fJDuGh4W2RoO6ImZU-ecUs6pIxKfdMd6KXGxb7fqm77ydrj1I-M/s1600/IMG20180325143046.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinhfx4DZlecA59l2SZ6diDLMn-yIohQCssQnCLeG-1FNnnFAyrNtpw6xdDhyphenhyphen-UY_J-09ZDFSF46ipTBUl9FuwuY8h2fJDuGh4W2RoO6ImZU-ecUs6pIxKfdMd6KXGxb7fqm77ydrj1I-M/s640/IMG20180325143046.jpg" width="480" /></a></div>
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Jojo Soria de Veyra, <i>The Fetishist (or, Allegory of Our Collective Sadness/Badness)</i>, 2012-18, acrylic on canvas, laterally 48" x 31 1/2"</div>
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<span style="font-size: large;">One of my five paintings shown at the <i>Allegoria 1 </i>show, March 15 to April 12, 2018, at Altro Mondo Arte Contemporanea </span><span style="font-size: large;">(now at </span><span style="font-size: large;">1159 Chino Roces Avenue, Barangay San Antonio, </span><span style="font-size: large;">Makati City 1203). Part of the series or separated triptych titled <i>A Gingerbread Man's/Woman's World</i>.<br /> To inquire about the painting, text (+63) 916-755-0658 or visit <a href="https://jojosoriadeveyra.wixsite.com/frommystudio/the-fetishist-or-allegory-of-our-co" target="_blank">my virtual painting studio</a>.</span></div>
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<span style="font-size: large;"> Or read the notes on this and </span><span style="font-size: large;"><span style="font-size: large;">the other panels in the triptych from page 40 of</span> <a href="https://issuu.com/diskursodotcom/docs/allegoria_1_catalog_2018/40" target="_blank">the <i>Allegoria</i> show's online catalog</a>.</span></div>
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Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-24248058693398134242018-04-12T23:24:00.003+08:002020-10-27T16:26:10.195+08:00Mask of an Artivist Soul as a Middle-Class Aficionado of Social Realism, 2006-18<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizwkRp99mfs3joPR3TwAU-1GbSuNTPxAYQKuuly8_979ry1aAIZEeNYZRriqiaWFL79zx30H-Oy5xq1g8TSIPGl-wfZIR8hgTfzzQekl-kMhBR8t_0HTh6S4w4AUDwKgopQQesEG2yuTQ/s1600/IMG20180314181812_cropped_a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1205" data-original-width="1600" height="482" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizwkRp99mfs3joPR3TwAU-1GbSuNTPxAYQKuuly8_979ry1aAIZEeNYZRriqiaWFL79zx30H-Oy5xq1g8TSIPGl-wfZIR8hgTfzzQekl-kMhBR8t_0HTh6S4w4AUDwKgopQQesEG2yuTQ/s640/IMG20180314181812_cropped_a.jpg" width="640" /> </a></div>
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Jojo Soria de Veyra, <i>Mask of an Artivist Soul as a Middle-Class Aficionado of Social Realism</i>, 2006-18, acrylic on canvas, 24" x 24"</div>
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<span style="font-size: large;">One of my five paintings shown at the <i>Allegoria 1 </i>show, March 15 to April 12, 2018, at Altro Mondo Arte Contemporanea (now at 1159 Chino Roces Avenue, Barangay San Antonio, Makati City 1203).<br /> To inquire about the painting, text (+63) 916-755-9658 or visit <a href="https://jojosoriadeveyra.wixsite.com/frommystudio/mask-of-an-artivist-soul-as-a-middl" target="_blank">my virtual painting studio</a>.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: large;"><span style="font-size: large;"> Or read the notes on this and </span><span style="font-size: large;"><span style="font-size: large;">the other panels in the triptych from page 40 of</span> <a href="https://issuu.com/diskursodotcom/docs/allegoria_1_catalog_2018/50" target="_blank">the <i>Allegoria</i> show's online catalog</a></span>. </span></div>
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Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-61813791368106715102018-04-12T23:13:00.007+08:002020-10-27T16:27:08.241+08:00Allegory of Apathies, 2017<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLNNAuebM0gRTGG9e8yVvyJhpWCcIMGocnMoBIWsXpnJZzaCFx3YNZ_omm2nH7QiTHTfbwo6HRVgTz4L3UvGK7tN_0T5fnVMAH-lHaA0ZwlJB1BWDDL6Vv9EiNRfxE2HzCzmRxZrWUfco/s1600/IMG20170924115834.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLNNAuebM0gRTGG9e8yVvyJhpWCcIMGocnMoBIWsXpnJZzaCFx3YNZ_omm2nH7QiTHTfbwo6HRVgTz4L3UvGK7tN_0T5fnVMAH-lHaA0ZwlJB1BWDDL6Vv9EiNRfxE2HzCzmRxZrWUfco/s640/IMG20170924115834.jpg" width="480" /> </a><br />Jojo Soria de Veyra, <i>Allegory of Apathies</i>, 2017, acrylic on canvas, 14" x 10"</div>
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<span style="font-size: large;">One of my five paintings shown at the <i>Allegoria 1 </i>show, March 15 to April 12, 2018, at Altro Mondo Arte Contemporanea </span><span><span style="font-size: large;">(now at 1159 Chino Roces Avenue, Barangay San Antonio, Makati City 1203).</span><span style="font-family: inherit; font-size: large;"><br /></span></span><span style="font-family: inherit; font-size: large;"> To inquire about the painting, you can text my studio at (+63) 916 755 0658 or message me through <a href="https://www.facebook.com/visdeveyra/" target="_blank">his Facebook page</a> or visit <a href="https://jojosoriadeveyra.wixsite.com/frommystudio/allegory-of-apathies" target="_blank">my virtual painting studio</a>.<br /> Or read the notes on this piece on page 52 of <a href="https://issuu.com/diskursodotcom/docs/allegoria_1_catalog_2018/52" target="_blank">the <i>Allegoria</i> show's online catalog</a>.</span></div>
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Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-78214116797774657662018-03-30T20:12:00.008+08:002020-10-27T16:33:54.717+08:00Congressional Politics' Fat Transparency Biting on a Foreign Apple (or Give, Receive), 2018<div class="separator" style="margin-left: 1em; margin-right: 1em; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCC2fftsKIGqvw_cmEE5ESnPGmZGurt84czYNIWBrfB390t6NV0vp-mf9r2Lfu_6fGUZnoMQCHsts0MKO7qpUUZdqRodnmtZgWAF1LRUGdKQAPC2ved0pB_Nkunx-smySkYJqrtbk6kGU/s1600/P_20190304_064256_cropped.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1055" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCC2fftsKIGqvw_cmEE5ESnPGmZGurt84czYNIWBrfB390t6NV0vp-mf9r2Lfu_6fGUZnoMQCHsts0MKO7qpUUZdqRodnmtZgWAF1LRUGdKQAPC2ved0pB_Nkunx-smySkYJqrtbk6kGU/s640/P_20190304_064256_cropped.jpg" width="422" /></a></div>
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Jojo Soria de Veyra, <i>Congressional Politics' Fat Transparency Biting on a Foreign Apple (or Give, Receive), </i>2018, acrylic on canvas, 30 x 20 inches.</div>
<br /><div style="text-align: left;"><span style="font-size: large;">The right panel of my triptych <i>The Day I Wished Alexander McQueen Tackled Philippine Reality, Too, </i>first shown at the <i>Tension </i>group show, March 10 to 28, 2018, at Art Anton (S Maison Mall, Conrad Hotel, Marina Way, Mall of Asia Complex, Pasay City).</span></div>
<span style="font-size: large;"><span><div style="text-align: left;"> After some revision, the triptych was re-shown at my solo show at Altro Mondo Arte Contemporanea Gallery at The Picasso Boutique Serviced Residences, Salcedo Village, Makati.</div><div style="text-align: left;"> To inquire about the triptych, currently priced at 120,000 PhP, text my studio at (+63) 916 755 0658 or visit <a href="https://jojosoriadeveyra.wixsite.com/frommystudio/the-day-i-wished-alexander-mcqueen" target="_blank">my virtual painting studio</a>.</div></span>
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<div style="text-align: left;"><br /></div>Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-56836033443663267592018-03-30T19:57:00.005+08:002020-10-27T16:39:24.031+08:00The Lumpenbourgeoisie's Fat Transparency Swimming with an Offshore Haul (or Sell Soul, Buy Votes), 2018<div class="separator" style="margin-left: 1em; margin-right: 1em; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhICZ1zmRyLQyP-b40Upraq-8F5YVIqIFo9yTMHhv7pBj2VTwgrHZWYA-TH_PTtaCOnPDFU-j8EavE-8iQXFjVSUF2AoPeJHxxSR0O6a0mS_g5NKvbyv7uDEzzzytMS95_pN5Qh3SiKNDg/s1600/P_20190304_064138_cropped.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhICZ1zmRyLQyP-b40Upraq-8F5YVIqIFo9yTMHhv7pBj2VTwgrHZWYA-TH_PTtaCOnPDFU-j8EavE-8iQXFjVSUF2AoPeJHxxSR0O6a0mS_g5NKvbyv7uDEzzzytMS95_pN5Qh3SiKNDg/s640/P_20190304_064138_cropped.jpg" width="426" /></a></div>
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Jojo Soria de Veyra, <i>The Lumpenbourgeoisie's Fat Transparency Swimming with an Offshore Haul (or Sell Soul, Buy Votes), </i>2018, acrylic on canvas, 30 x 20 inches.</div>
<br /><div style="text-align: left;"><span style="font-size: large;">The central </span><span style="font-size: large;">panel of my triptych <i>The Day I Wished Alexander McQueen Tackled Philippine Reality, Too, </i>f</span><span style="font-size: large;">irst shown at the <i>Tension </i>g</span><span style="font-size: large;">roup show, March 10 to 28, 2018, at Art Anton (S Maison Mall, Conrad Hotel, Marina Way, Mall of Asia Complex, Pasay City).</span></div>
<span style="font-size: large;"><div style="text-align: left;"> After some revision, the triptych was re-shown at my solo show at Altro Mondo Arte Contemporanea Gallery at The Picasso Boutique Serviced Residences, Salcedo Village, Makati.</div><div style="text-align: left;"> To inquire about the triptych, currently priced at 120,000 PhP, text my studio at (+63) 916 755 0658 or visit <a href="https://jojosoriadeveyra.wixsite.com/frommystudio/the-day-i-wished-alexander-mcqueen" target="_blank">my virtual painting studio</a>.</div><div><br /></div><div><br /></div><div><br /></div></span>Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-23901870492056483122018-03-30T19:44:00.005+08:002020-10-27T16:38:23.142+08:00Philippine Politics' Fat Transparency Guarding Laws, Keeping Lands (2018)<div class="separator" style="clear: both; text-align: center;">
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Jojo Soria de Veyra, <i>Philippine Politics' Fat Transparency Guarding Laws, Keeping Lands, </i>2018, acrylic on canvas, 30 x 20 inches.</div>
<br /><div style="text-align: left;"><span style="font-size: large;"><span>The left </span><span>panel of my triptych </span><i>The Day I Wished Alexander McQueen Tackled Philippine Reality, Too, </i><span>first shown at the </span><i>Tension </i><span>group show, March 10 to 28, 2018, at Art Anton (S Maison Mall, Conrad Hotel, Marina Way, Mall of Asia Complex, Pasay City).</span></span></div>
<span style="font-size: large;"><div style="text-align: left;"> After some revision, the triptych was re-shown at my solo show at Altro Mondo Arte Contemporanea Gallery at The Picasso Boutique Serviced Residences, Salcedo Village, Makati.</div></span><div style="text-align: left;"><span style="font-size: large;"> To inquire about the triptych, currently priced at 120,000 PhP, text my studio at (+63) 916 755 0658 or visit <a href="https://jojosoriadeveyra.wixsite.com/frommystudio/the-day-i-wished-alexander-mcqueen" target="_blank">my virtual painting studio</a>.</span></div>
<div><span style="font-size: large;"><br /></span></div><div><span style="font-size: large;"><br /></span></div><div><span style="font-size: large;"><br /></span></div>Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-60963947962648837652013-07-23T10:38:00.003+08:002020-10-27T18:06:22.119+08:00A Class Under the Talisay, 2004<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;"><div style="text-align: left;"><span face="helvetica-w01-roman, helvetica-w02-roman, helvetica-lt-w10-roman, sans-serif">The talisay tree (</span><span face="helvetica-w01-roman, helvetica-w02-roman, helvetica-lt-w10-roman, sans-serif" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-style: italic; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Terminalia catappa</span><span face="helvetica-w01-roman, helvetica-w02-roman, helvetica-lt-w10-roman, sans-serif">) has become quite a silent national symbol for academic achievement in the Philippines. It is said that declared national hero Jose Rizal taught his students---while in exile in Dapitan--- . . . under a talisay tree. University of the Philippines campuses have many of these trees standing alongside the more renowned acacias. I drew this inside a UP Tacloban campus lecture room while waiting for/on my students during a summer art workshop.</span></div></span>
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</span></span>Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-88388791221447507112013-07-23T10:14:00.006+08:002020-10-27T18:07:38.098+08:00Self-Portrait (The Sunbather), 2004<br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><span><span face=""arial" , "helvetica" , sans-serif">Jojo Soria de Veyra. </span></span><span face=""arial" , "helvetica" , sans-serif"><i>Self-Portrait (Ang Sunbather)</i> [Self-Portrait (The Sunbather)]<i>.</i> 2004. </span><span><span face=""arial" , "helvetica" , sans-serif">Photograph print, graphite & watercolor pencils on watercolor paper</span></span></span><span face=""arial" , "helvetica" , sans-serif"></span></span></td></tr>
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<br /><div style="text-align: left;"><span face="helvetica-w01-roman, helvetica-w02-roman, helvetica-lt-w10-roman, sans-serif"><span style="font-size: large;">I'm not going to say anything about what this self-portrait was trying to say, except that the text may need some re-stating in this text part of this page. That text goes thus:</span></span></div><span style="font-size: large;"><div style="text-align: left;"><span face="helvetica-w01-roman, helvetica-w02-roman, helvetica-lt-w10-roman, sans-serif"> "'twas the graphite, was part of the plan, and the Katipunan pounded the self-portraits with borrowed wisdom, from photographs of doom and then of a Lazarus rise from those. No fat. Just the hidden agenda of self-love, self-hate, self-flagellating charisma and charm, devoid of insanity but part of the plan, the graphite fat."</span></div></span>
<br /><div><br /></div><div><br /></div>Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-22594356440756170392013-07-23T09:40:00.011+08:002020-10-27T18:08:43.109+08:00Hemingway's La Mar (or; Port/Portal), 2004<span face=""arial" , "helvetica" , sans-serif"><br /></span>
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<tr><td class="tr-caption" style="text-align: center;"><div style="text-align: left;"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif">Jojo Soria de Veyra. <i>Hemingway's La Mar (or, Port/Portal)</i>. 2004. Pastel on paper [LOST WORK]</span></span></span></div>
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<span style="font-size: large;"><span face=""arial" , sans-serif"><br />June 2004<br />
Tacloban City.<br />
<br />
Dear 'Cile. I wish I had the money now to be able to frame this other pastel work
(very small one) that I also finished late May (or was it early June?).
Initially I called it "Night Swimming," because it's a portrait of a
mother (with another woman) with a baby and a bag, and she's posing in front of a large
portal or arch behind which is a moonlit bay. The portal or arch is actually
that of Malolos' Barasoain Church, but I turned it into a mysterious or
surrealist arch right beside a beach. The mother is you (or you're the model, I
painted this from a fragment of a photo, that fragment showing you, Gabo in
your arms, with my sister Adette behind you).<br />
I was attracted to the fragment for two reasons. Because of
the blackness in the photo backgrounding the mother, I'd once again be able to
say what I need to say about our mothers' black hair, here a blackness that
melds into the blackness beyond the archway. Same with the baby's hair, Gabo's
black hair.<br />
The other reason was this: because this was a photo
fragment, zooming in resulted in an Impressionist effect that I liked.
Therefore this became not a portrait of you and Gabo and Adette in front of a
portal to a sea in the background. This is now just a portrait of any similarly-looking
tourist trio.<br />
Oh, one other thing. I kind of liked the Virgin Mary effect
the arch had on the mother in the center, creating a grotto-like composition,
shattered only by another figure's presence (Adette's) coming out of that
grotto "cave." A Marian mother-and-child piece, then? Or, can you see
a Moses-like allusion with a recall of a Nile-to-the-palace progression? But
the color of the baby bag hanging from the mother's shoulder, and the color
that I used for the arch to complement the mother's blue, emulates the official
assignation of the light cobalt or cerulean blue color on the Virgin Mary. Thus
perhaps this is more useful as a piece referencing the Catholic context than
any other Christian thing.<br />
So now may I call this painting "Birhen"? Nah,
that would be too ambitious, the picture being vague towards that direction. "Port / Portal" is more like it, or "Hemingway's La Mar,"
referencing Hemingway's simile involving woman and sea in <i>The
Old Man and the Sea</i>. With this final title, our piece now points to a kind
of arrival, wherein the darkness of death and the limitless sea and night
behind is acknowledged, whilst women and babies foreground a future of life.</span><span face=""arial" , sans-serif"></span></span></div>
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Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-50282949892611402512013-07-23T09:28:00.003+08:002020-10-27T18:10:57.561+08:00Wind Above, Sea Below (I Ching Stripes) [2004]<span face=""arial" , "helvetica" , sans-serif"></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Jojo Soria de Veyra. <i>Hangin sa Taas, Dagat sa Baba (I Ching Stripes) </i>[Wind Above, Sea Below (I Ching Stripes)]. 2004. Line photograph and pastel on pastel paper [LOST WORK]</span></span><span face=""arial" , "helvetica" , sans-serif"><span face=""arial" , "helvetica" , sans-serif"></span></span></td></tr>
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<span style="font-size: large;"><span face=""arial" , sans-serif">July 21, 2004<br />
Tacloban City.<br />
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Hello again, Miguel. I only just now have gotten to sit down on this other desk
to write about this piece that I finished last week. I am writing a
screenplay-novel, you see, the reason why I can't spend more time on my art
pieces for you.<br />
Anyway, this is a continuation of my experiments with the
line photograph. This one, of your Mama in the early '90s in front of a window
and beside two umbrellas hanging from the window's ledge and facing aslant a
wall, has been printed on pastel paper, thus the striped pattern effect. I
was already enamored with the mechanical imprint but thought of a way by which
I could provide a sort of counter to it using soft pastel. Then I saw this
photograph of your Mama with a shirt bearing an I Ching hexagram and I
thought <i>this</i> was the context-ridden stripes I was looking for.<br />
Then, given the angelic look on your Mama's face in that
photo, I thought I'd soften the whole thing not just tone-wise (graphite could
have done it) but also texture- and color-wise. So there was no better choice
than pastels, as anyway this was pastel paper I printed the line photo on.<br />
The result? A Picasso-esque (pre-Cubist Picasso) cum
Chagallian piece with Oriental allusions. All a miraculous outcome of a simple
objective of letting the "impersonal" printer roller's marks fight
with the soft pastel chalks' "personal" caresses.</span></span><br />
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 9"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 2"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 4"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 5"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 6"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 7"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 8"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 9"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/>
<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
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<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
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Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-87155711955259335152013-07-23T09:01:00.002+08:002020-10-27T17:51:17.523+08:00New Society Mood of the Day, 1985<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvxF3DxzgJcTtfgoN6-jTKgU1lh7-7dMhWKt1O9EAJQ5y5kc9hoULvgxzxJcpuHizYP_QWoV-mJXBnxy4o5Yho2Be-zPeKPlH7q38M-0xAhEpZVQs0UNu92pAuAGj5EBLMP4TA9lAqKgk/s1600/bagong_lipunan_small.jpg"><img border="0" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvxF3DxzgJcTtfgoN6-jTKgU1lh7-7dMhWKt1O9EAJQ5y5kc9hoULvgxzxJcpuHizYP_QWoV-mJXBnxy4o5Yho2Be-zPeKPlH7q38M-0xAhEpZVQs0UNu92pAuAGj5EBLMP4TA9lAqKgk/s400/bagong_lipunan_small.jpg" width="400" /></a></div>
<div style="text-align: center;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Jojo Soria de Veyra. <i>Bagong Lipunan Mood ng Araw </i>(New Society Mood of the Day). </span></span>1985 installation on table at the University of the Philippines at Tacloban Faculty Center. Clay, bread buns and Nat King Cole vinyl record. Size variable</div>
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Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-20891458680902422702013-07-23T08:52:00.001+08:002020-10-27T18:01:55.641+08:00Iron, 1995<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRRKdXoCh9rfx7IWbI4PYY7KD47t2gxnBhSRhyrNHK0QM1JFD5u_wW0vYgnucgLVnTiBqxpB9ZiwG7gwQaIPC_Oc6MmVZMhbnZvSZ1PZzKBSoCkriIsdYjNqmNOZbecr6yruhsVpSesiQ/s1600/plantsa.jpg"><img border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRRKdXoCh9rfx7IWbI4PYY7KD47t2gxnBhSRhyrNHK0QM1JFD5u_wW0vYgnucgLVnTiBqxpB9ZiwG7gwQaIPC_Oc6MmVZMhbnZvSZ1PZzKBSoCkriIsdYjNqmNOZbecr6yruhsVpSesiQ/s400/plantsa.jpg" width="400" /></a></div>
<div style="text-align: center;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-size: small;">Jojo Soria de Veyra. <i>Iron</i>. Photograph, 1995</span></span></div>
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Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-62660628500433039212013-07-23T08:47:00.001+08:002020-10-27T18:02:45.344+08:00Dazed, 1995<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNQAeYPN7vBz0WMtm7LKdv8uXgH53i5tRkF6IP1cKIP6jnynCgHSFo99ydrc4TGqdBIKcxsEK535X1cyFsd9vK4A9rdhexHgzdeacy3RrCoveBvJpvIlhzz4lr5Ttgsfyytj6EG4_HLis/s1600/nahihilo.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNQAeYPN7vBz0WMtm7LKdv8uXgH53i5tRkF6IP1cKIP6jnynCgHSFo99ydrc4TGqdBIKcxsEK535X1cyFsd9vK4A9rdhexHgzdeacy3RrCoveBvJpvIlhzz4lr5Ttgsfyytj6EG4_HLis/s640/nahihilo.jpg" width="444" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Jojo Soria de Veyra. <i>Nahihilo (Dazed)</i>. Photograph, 1995</span></span></td></tr>
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<br />Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-90233157558152862722013-07-23T08:41:00.001+08:002020-10-27T18:03:21.844+08:00Dirt Scorpion, 1995<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxMDc60mWHLwqcFocmAsmWDgQ8-tRHo4aSnlIJrwz7kLwMUh8ykBP23xfXHkgKhigpReNE8kVPhNazhosaVfFwvbQ4tPV5MO0E9axnMmTSi4__ybSpQgmgKvwH_jyOOJzMT_OTNw6DALY/s1600/dirt_scorpion.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="448" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxMDc60mWHLwqcFocmAsmWDgQ8-tRHo4aSnlIJrwz7kLwMUh8ykBP23xfXHkgKhigpReNE8kVPhNazhosaVfFwvbQ4tPV5MO0E9axnMmTSi4__ybSpQgmgKvwH_jyOOJzMT_OTNw6DALY/s640/dirt_scorpion.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Jojo Soria de Veyra. <i>Scorpion sa Alikabok (Dirt Scorpion)</i>. Photograph, 1995</span></span></td></tr>
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<br />Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-44709940382896357852013-07-23T08:36:00.001+08:002020-10-27T18:05:21.977+08:00A picture is not enough; or, On top of a paper alone (1995)<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbr1U3Q-uWE3VDl1bcxM7-rkR-VY2Ji1lZPS7Yd2zR8inp-ONeCz8HQcFcyuwBHoCGoq1Ivb4LZusxXm5srTeYvH31HbADXWROhMHs3ZlH3ZBfHyn516pRZ_OVrR-jrvp0ergdpsN3U3Q/s1600/di-pinamagatan.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="448" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbr1U3Q-uWE3VDl1bcxM7-rkR-VY2Ji1lZPS7Yd2zR8inp-ONeCz8HQcFcyuwBHoCGoq1Ivb4LZusxXm5srTeYvH31HbADXWROhMHs3ZlH3ZBfHyn516pRZ_OVrR-jrvp0ergdpsN3U3Q/s640/di-pinamagatan.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span><span face=""arial" , "helvetica" , sans-serif" style="font-family: inherit;">Jojo Soria de Veyra. <i>Di sapat ang larawan; o, Sa ibabaw ng isang papel lamang </i>(A picture is not enough; or, On top of a paper alone). Photograph, 1995</span></span></span></td></tr>
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<br />Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-75958526377714480372013-07-23T08:25:00.003+08:002020-10-27T18:16:27.908+08:00Collector's Item; or, Zero (1990)<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhveAoX2XvYAXis_1wKjS8SRHnWJUym5-d3WJYXkQmS5llTswmytPJvdOINXFgClM0IulfB_efujd91Iq9__0R-UK0KrIzRfREikY0n8RUSbsqPIwMe4HgdSTGoaVWg3fom23K9qL0l6Oc/s1600/untitled8.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="76" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhveAoX2XvYAXis_1wKjS8SRHnWJUym5-d3WJYXkQmS5llTswmytPJvdOINXFgClM0IulfB_efujd91Iq9__0R-UK0KrIzRfREikY0n8RUSbsqPIwMe4HgdSTGoaVWg3fom23K9qL0l6Oc/s400/untitled8.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white; text-align: -webkit-right;"><span style="font-family: "arial"; font-size: x-small;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="color: black;"><span style="background-color: white;">Jojo Soria de Veyra. </span></span></span></span></span></span><span style="background-color: black; color: white; text-align: -webkit-right;"><span style="font-family: "arial"; font-size: x-small;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="color: black;"><span style="background-color: white;"><i>Pang-Kolektor; o, Zero </i>[Collector's Item; or, Zero]. </span></span></span></span></span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="background-color: white;">1990. Oil on canvas</span></span></span></td></tr>
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<p style="text-align: left;"><span style="font-family: inherit; font-size: large;"><span><span face=""arial" , sans-serif" style="background: none 0% 0% repeat scroll white; line-height: 107%;">F</span></span>eaturing nothing but my 1990s signature in impastoed, measured brushstrokes over thin pink layers on canvas, this was my tongue-in-cheek take on painting's being more a fare for collectors than art lovers. However, doesn't this measured contrivance become a pro-painting act itself, being still a painting?<br /> It's a measured salute clarifying the thin line between art- or artist-loving and art-collecting/-investing, painting on (even only a signature for a subject) for one's individual art thesis (beloved by fans) as well as one's 'brand' (beloved by those irksome present investors).<br /><span><span face=""arial" , sans-serif" style="background: none 0% 0% repeat scroll white; line-height: 107%;"><span style="background-color: transparent;"> But, again, with measured brushstrokes eluding the real quick signature, and in a carefully set up impastoed mode, doesn't this painting finally achieve nothing more than a self-parody or self-m</span></span></span><span><span face=""arial" , sans-serif" style="background: none 0% 0% repeat scroll white; line-height: 107%;"><span style="background-color: transparent;">ockery of the artist's arrogance in creating that other, more mental, kind of self-portrait, the signature, necessary though that piece of text is?</span></span></span><span><span face=""arial" , sans-serif" style="background: none 0% 0% repeat scroll white; line-height: 107%;"><span style="background-color: transparent;"><br /></span></span></span></span></p><div class="MsoNormal" style="text-align: left;"><span style="font-size: large;"><span face=""arial" , sans-serif" style="background: none 0% 0% repeat scroll white; line-height: 107%;"><span style="background-color: transparent;"><br /></span></span></span></div>Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-35322225157518592502013-07-23T08:13:00.001+08:002020-10-27T18:18:20.434+08:00Window, 1990<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY736anpSgPtNX4YvtDhwFMTQj1umVNrto_zyh0_Nvy1FW52TT0urPmO6Z3DRO0zZBif0x1Y1ssbERPA8b3Oe_QJyWHQkyH6ZuoradXgq9EaQBXL9_oohyOLNga4SBfmrozgo30jf2-bo/s1600/untitled2_small.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY736anpSgPtNX4YvtDhwFMTQj1umVNrto_zyh0_Nvy1FW52TT0urPmO6Z3DRO0zZBif0x1Y1ssbERPA8b3Oe_QJyWHQkyH6ZuoradXgq9EaQBXL9_oohyOLNga4SBfmrozgo30jf2-bo/s640/untitled2_small.jpg" width="379" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white;"><span style="text-align: justify;"><span style="font-family: "arial"; font-size: x-small;"><span style="font-size: small;">Jojo Soria de Veyra. </span></span></span><i style="text-align: justify;"><span style="font-family: "arial"; font-size: x-small;"><span style="font-size: small;">Bintana [Window]. </span></span></i><span style="font-family: "arial"; font-size: small; text-align: justify;">1990. oil on marine plywood</span></span></td></tr>
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<span style="background-color: white;"><span style="font-family: "arial"; text-align: justify;"><span style="font-size: large;">Here, I was expressing an interest in continuing to pursue my early windows series. But here I used a visual vagueness to also "vaguely narrate."</span></span></span><br />
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<br />Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-7639375718994672432013-07-23T08:03:00.005+08:002020-10-27T18:29:45.745+08:00Iesus Nazarenus Resorts, Inc., 1990<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu2n5B61t2E7EXqo2GRi89-9LX_OysEVvVoRIT1L69rCalvSEeneosmdA_VO5LG2GIf-DzgH1aqeuyC1wFGb6Myq04pa-g5eNkkBo8yexqg8ow3lIedgoqBk19YSxbEFzmTV22l4vgkNU/s1600/P_20190216_142845_vHDR_On2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1118" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu2n5B61t2E7EXqo2GRi89-9LX_OysEVvVoRIT1L69rCalvSEeneosmdA_VO5LG2GIf-DzgH1aqeuyC1wFGb6Myq04pa-g5eNkkBo8yexqg8ow3lIedgoqBk19YSxbEFzmTV22l4vgkNU/s640/P_20190216_142845_vHDR_On2.jpg" width="446" /></a></div>
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Jojo Soria de Veyra, <i>Iesus Nazarenus Resorts, Inc.</i>. 1990. oil on canvas. 31 ½" x 46 ¼"</div>
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<span style="background-color: white;"><span style="font-size: large;"><br /><div style="text-align: left;">This painting is my homage to both Christianity and Symbolist painting. The rocks in the picture, emulating the flow of Middle Eastern robes, are witness to a crucifixion. The central X alludes both to the centurions' spear at the Crucifixion of Jesus, one of which wounds the Christ's crucified figure (see the red gash on the road's right side where the top end of one of the X sticks seems to touch the asphalt) and to the X on new glass windows rebelling against three-dimensionality. What else could it connote? Snub-nosing realism, perhaps, in Gauguinist symbolism's favor? The island-cum-plant box on the asphalt parking lot may signify a coffin, while the gatehouse door has the INRI sign above it. The lifeguard tower? Ah, the beautiful life guard guarding the beauty of life. The sea's horizon? Maybe a tribute to the view of the sea as a picture of life, life's hazards, as well as death and passage.</div></span></span><div style="text-align: left;"><span style="font-size: large;"><span style="background-color: white;"> (Update 2019: This painting was first publicly shown on February 16, 2019 at the </span><a href="https://diskurso.com" style="background-color: white;" target="_blank">diskurso.com</a><span style="background-color: white;">-curated </span><i style="background-color: white;">Religioso / Espiritual </i><span style="background-color: white;">group show at J Studio, La Fuerza Plaza, 2241 Chino Roces Avenue, Makati City. The show lasted until March 9, 2019. Read more about the work on the show's online catalog at </span><a href="https://issuu.com/diskursodotcom/docs/religioso-espiritual_show_catalog/58" style="background-color: white;" target="_blank">Issuu</a><span style="background-color: white;"> as well as </span><a href="https://drive.google.com/file/d/1IwTzEXaCvwx_TPE_1VZw6GmVXDk9Eft7/view" style="background-color: white;" target="_blank">Google Drive</a><span style="background-color: white;">, or at <a href="https://jojosoriadeveyra.wixsite.com/frommystudio/story-of-iesus-nazarenus-resorts-in" target="_blank">my virtual painting studio</a>.)</span></span></div>
<span style="background-color: white;"><div style="text-align: left;"><span><span style="font-size: large;"> </span></span><span style="background-color: transparent; font-size: large;">To purchase the painting, contact (+63) 916 755 0658 or <a href="https://www.facebook.com/visdeveyra/" target="_blank">my Facebook page</a>.</span></div></span><div style="text-align: left;"><span style="font-size: x-large;"><br /></span></div><div style="text-align: left;"><span style="font-size: x-large;"><br /></span></div><div style="text-align: left;"><span style="font-size: x-large;"><br /></span></div>
Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-41741437045560416632013-07-23T07:40:00.006+08:002020-10-27T18:40:27.283+08:00Cat That Met Us at the Hidden Airstrip, 1990<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQBzDmkX2KKyh-_6W9wgOokdBwvAPa8bmF3k6CvncQRTljcf-DtBXB-KEQF2Gi3AymfdJKyXKB6X_LJL3nRIQWkbUt1f5bB8Rf3PbUTS_VGLkUDIONzsDSjxW9YYHHitZnpZ2jsZBvL0w/s1600/pusang_sumalubong_b.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQBzDmkX2KKyh-_6W9wgOokdBwvAPa8bmF3k6CvncQRTljcf-DtBXB-KEQF2Gi3AymfdJKyXKB6X_LJL3nRIQWkbUt1f5bB8Rf3PbUTS_VGLkUDIONzsDSjxW9YYHHitZnpZ2jsZBvL0w/s400/pusang_sumalubong_b.jpg" width="352" /></a><br /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white;"><span style="font-size: small;">Jojo Soria de Veyra. <i>Pusang Sumalubong sa Amin sa Nakatagong Airstrip </i>(Cat That Met Us at the Hidden Airstrip). 1990. Oil on marine plywood</span></span></td></tr>
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<span style="background-color: white;"><div style="text-align: left;"><span style="font-size: large;">While seemingly a development from my attempted Windows series of 1989, a later recurrent tendency first became manifest in this from 1990---this was towards compositions that mimicked the mask. Here, a view from a cockpit of a landing plane also comes out as a cat's-face sort of mask.</span></div></span>
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<br />Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-120607593280870302013-07-23T07:28:00.005+08:002020-10-27T18:56:06.322+08:00Monument to Our Chosen Blindness: A Self-Portrait, 1990<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFj8jtPiTOKyBYsCatd0ylISVka2cIj8ILGcMMwwUYzKIUFy__yKj-4twV3dxfQK_gKRj_02ohB27s12Iiwm_ArmXaOZgX6V3CO9WRzhvhLIVGsdJQF0L7kWkIKFF3tk1WvU5d_AcSdj0/s1600/monumento2b.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="382" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFj8jtPiTOKyBYsCatd0ylISVka2cIj8ILGcMMwwUYzKIUFy__yKj-4twV3dxfQK_gKRj_02ohB27s12Iiwm_ArmXaOZgX6V3CO9WRzhvhLIVGsdJQF0L7kWkIKFF3tk1WvU5d_AcSdj0/s400/monumento2b.jpg" width="400" /></a><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="background-color: white;">Jojo Soria de Veyra. <i>Monumento sa Ating Pagbubulagbulagan: Isang Self-Portreyt </i>(Monument to Our Chosen Blindness: A Self-Portrait). 1990. Oil on wood [LOST WORK]</span></span></td></tr>
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<span style="background-color: white; font-size: large;"><div style="text-align: left;">Again inspired by my drawings of the previous year, 1989, involving portraits with surrounding floating images, I here contrived a pastoral. It's actually a self-portrait commenting on the social issue of illegal logging and how we all are a party to its unabating presence.</div></span><div style="text-align: left;"><span style="font-size: large;"><br /></span></div>
<div style="text-align: left;"><br /></div><div><br /></div>Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-20175596918484495712013-07-23T06:56:00.002+08:002020-10-27T18:59:26.176+08:00Dividing Light; or, Made A Miracle (1989)<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpr9x7GtNVD5DrkyefZ7K-UdbqeLOmOHnoLRGzv44bKpLF82O6wh7kT69MZksR5ukq3426ZwwBYEEoekCW2tbV5K3MFj-gluhAdcBfqSBcfTafoacXrA-K9vumTzDWPCAmO-XZ3_sPOlo/s1600/mapanghating_ilaw_small.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpr9x7GtNVD5DrkyefZ7K-UdbqeLOmOHnoLRGzv44bKpLF82O6wh7kT69MZksR5ukq3426ZwwBYEEoekCW2tbV5K3MFj-gluhAdcBfqSBcfTafoacXrA-K9vumTzDWPCAmO-XZ3_sPOlo/s400/mapanghating_ilaw_small.jpg" width="400" /></a><br /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="background-color: white;">Jojo Soria de Veyra. <i>Mapanghating Ilaw; o, Ginawang Milagro </i>(Dividing Light; or, Made a Miracle). 1989. Oil on marine plywood</span></span></td></tr>
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<span style="background-color: white; font-size: large;"><div style="text-align: left;">An old erotic composition dividing a horizontal space into two equal narrative panels or windows, this painting was an offshoot of my narrative drawings' experiments with space. The visual pun using a falling asteroid and atmospheric lightning to connote orgasm is intended.</div></span><div style="text-align: left;"><span style="color: white; font-family: arial; font-size: x-small;"><br /></span></div>
Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0tag:blogger.com,1999:blog-3316879955699171909.post-61681265453074996882013-07-22T22:18:00.004+08:002020-11-24T16:02:17.906+08:00Pilate's Trip, 1990<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKhtt-a7528lo__dC59YbdRXcQpqvs65S0yS4jI_Qugkyh0GimgGQQ0-kL3H_RoYDBfrQ7rUeXb_YERofG3Jbvi5pZKzW95Qpjw7poEZNZpsEzppVizIruMJqsabwAvI7g8-NyMJSfCwk/s1600/untitled3.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKhtt-a7528lo__dC59YbdRXcQpqvs65S0yS4jI_Qugkyh0GimgGQQ0-kL3H_RoYDBfrQ7rUeXb_YERofG3Jbvi5pZKzW95Qpjw7poEZNZpsEzppVizIruMJqsabwAvI7g8-NyMJSfCwk/s640/untitled3.jpg" width="361" /></a><br /><span style="font-size: small;"><span face=""arial" , "helvetica" , sans-serif">Jojo Soria de Veyra. <i>Pilate's Trip</i>. 1990. oil on marine plywood</span></span></td></tr>
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<span style="background-color: white;"><div style="text-align: left;"><span style="font-size: large;">In 1990 I went back to my attempt in <i><a href="https://main-belt-minor-planet.blogspot.com/2013/07/muro-ami-1989.html">Muro-Ami</a></i><i style="color: white; font-family: arial;"> </i>the previous year, re-studying semi-abstract composition (or abstraction that leaves a tinge of visual realism). Such studies, like the above, would seem to me now to have been a result of a desire to please both those looking for the decorative in the abstract and those expecting immediate visual signifiers within the decorative.</span></div></span><div><span style="font-size: large;"><br /></span></div><div><span style="font-size: large;"><br /></span></div><div><span style="font-size: large;"><br /></span></div><div><span style="font-size: large;"><br /></span>
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<br /></div>Jojo Soria de Veyrahttp://www.blogger.com/profile/10755588651423753783noreply@blogger.com0