Collector's Item; or, Zero (1990)
Jojo Soria de Veyra. Pang-Kolektor; o, Zero [Collector's Item; or, Zero].1990. oil on canvas
Featuring nothing but my 1990s signature in impastoed, measured brushstrokes over thin pink layers on canvas, is this a tongue-in-cheek take on painting's being more a fare for collectors as against art lovers? Or does this become a pro-painting act itself, being still a painting, a measured salute clarifying the thin line between art-loving and art-collecting/-investing but painting on nonetheless? But, again, with measured brushstrokes eluding the real quick signature, and in an impastoed mode, does this finally achieve nothing more than a contemplation on the arrogance of that more mental kind of self-portrait, the signature?